Tuesday, 31 May 2011

Adnams Southwold Bitter

05_03_11_adnams.jpg


CookChick Design has re-designed Adnams no.1 real ale brand. The re-design covers pump clips and take home packaging along with other launch & POS items.

Instant Comfort Pocket Boxes


Designed by Kim Welling, an illustrator from Netherlands.


Saké Jun Daiti


Linea Packaging, France was challenge by Diageo in Brazil to create a Sake packaging for their local brazilian market.


"The slender, blue tinted glass bottle and highly embossed black texts printed on a cream coloured textured label, firmly place Jun Daiti in the premium Saké category. The hand drawn visual of a Japanese samurai and the original Kanji calligraphy reinforce the authenticity of the product. "

Omine


Check out Stockholm Design Lab's contemporary take on Sake Packaging. The abstracted graphic of the grain/ grains on the bottles indicates the quality of the sake. In this case, less truly is more.


"Takeshi Akiyama is a exclusive sake manufacturer based in southern Japan. For generations, his family has produced sake in three qualities; Junmai, Junmai Ginjo, Junmai Daiginjo. The quality of the sake is determined buy the percentage of the original rice grain that is used in the brewing process. The lesser the better. And that is also the core idea of our design. The label on the bottle of the best quality sake, Daiginjo, only shows one single grain. The Unique White bottle has à traditional cap and screenprinted text. In addition to the bottles, we have created the corporate identity."

Current Lets its Bold Flag Fly

Current Logo, Before and After

Launched in 2005 by former Vice President Al Gore (before An Inconvenient Truth fame) and entrepreneur Joel Hyatt, Current TV was originally a pretty drastic model of programming, featuring user-generated 'pods' reflecting a broad range of topics and opinions that lasted anywhere from 3 to 10 minutes. You could tune in at any time of day and just jump right in into whatever was going on and not have to worry about following typically scheduled programming. This was the same year YouTube launched and before it went as big as it is now, so the concept was fairly ahead of the curve. Current gathered some initial attention but then it just kind of disappeared as the novelty wore off and despite hiring former MTV Networks' President Mark Rosenthal, toying with the idea of going public, and transitioning into 30- and 60-minute programming Current felt anything but. Enter Keith Olbermann, the love-him-or-hate-him, ex-ESPN anchor turned political commentator. In February Current announced that Olbermann would be taking his show, Countdown With Keith Olbermann, from MSNBC to their cable channel starting June 20. Reminiscent of when Howard Stern announced he would be leaving the broader air waves for SiriusXM, Olbermann's move to Current gave it instant relevance. Last week, Current quietly introduced a new look, launched the website for Olbermann's show, Countdown, and over the Summer will be implementing the new look. The identity has been designed by Wolff Olins with motion assistance by Ghava, the on-air look is by loyalkaspar, and web design by Code and Theory.

Logo animation, brought to life by Ghava. Click here to view.

Current


The previous identity was designed by Meta Design and Peter Saville and, at the time, the idea of a pixelated logo was somewhat forgivable despite the internet-sized cliché it represented. Six years later and the idea is inexcusable. Looking dated is an understatement. Current needed an extreme statement to indicate a completely new direction and almost erase its previous history to establish a new reputation. A flag, signaling they have arrived and that they stand for a specific kind of journalism, is exactly what they needed. And it looks awesome. Conceived as a moving logo first and static logo second, the execution is dynamic, bold, and innovative without feeling like it's trying hard to be cool and relevant. The black and white approach also gives it a sharp edge in contrast to all the colorful identities found on TV. The identity applications and on-air look are still limited but everything shows plenty of promise. So far, one of my favorite logos of the year.


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On-air look by loyalkaspar, above.  

Vanguard promo, click here to view.